主演：西蒙·谢泼德 特里斯坦·斯特罗克 Mary Woodvine 艾萨克·伍德文 爱德华·罗
导演：马克·詹金
类型：剧情
地区：英国
年份：2019
简介：康沃尔渔村(⛲)的风(🐽)景明信片田(tián )园诗误导(🃏)了人们(men )。虽然过去钓鱼是一种养家糊(🥈)口的(🛤)方(fāng )式，但如今(jīn )富有的伦敦游客纷纷下山，取代了(le )当(dāng )地人，当地人的(👑)生计因此受到威(🕯)胁。史蒂文和(hé )马丁(🚉)兄弟的关系也(📞)很紧张。马丁是一个没有船(🚑)的渔夫(🕕)，因为(wéi )史蒂(🔊)文开(kāi )始(🚢)用它(tā )来(lái )(🧚)为一整天的游(yóu )客提供(gòng )更赚(🔢)钱的旅游。他们卖掉了这座家庭(tíng )(🔝)别墅，现在(🤠)看来，最后一场战(💪)斗(dòu )(⛓)是和(⏰)新主人在海(hǎi )边的停车位上展(⛳)开(kāi )。然而，情况很(🥕)快(kuài )(🕐)就(jiù )失控了(le )，而不(bú )仅(🌮)仅是因为车轮夹钳(qián )。Bait是(shì )一种(🐾)黑(hēi )白，手工(gōng )制(zhì )作，16毫米(mǐ )胶片制(zhì )作的电影。许多关于鱼(🙎)、网、龙虾、长靴、绳结(📛)和渔(yú )篮的特(tè )写镜头让(💸)人想(🐞)起了蒙太(🏴)奇(🚲)景点(🔎)的(🌂)理论。对不同社(shè )会(huì )阶层的描述——可(🎐)以(yǐ )说(shuō )是(shì )(👛)阶级(jí )关(guān )系—(📤)—也让人想(xiǎng )起了英(👩)国电(diàn )影(yǐng )中的社(shè )会现实主义传统。然(🏸)而(❄)，最(🈺)重要的是，在影像中不同层次(cì )的电影(🖱)历史参考文(wén )(⛅)献之下，当(🙅)前(🛃)许多(duō )(🍾)政(🕵)治关联正在等(👆)待被发现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata –(🎁) one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.